Built to outlast the builder
I design furniture that honors the grain of the tree and the patience of the craft. No veneers, no shortcuts—only heirloom pieces made for the long haul.
From Forest to Floor
I skip the veneers and the shortcuts. Every piece is a dialogue between the grain of the wood and the precision of the hand.
I work exclusively with Maine-grown hardwoods—black walnut, white oak, and sugar maple—sourced from mills that prioritize forest health.
No screws, no pocket holes. I use hand-cut dovetails and mortise-and-tenon joints that tighten with age.
I use food-safe oils and waxes that let you feel the actual texture of the timber, not a layer of plastic.
I take on twelve commissions a year. This allows me to obsess over the grain matching and structural integrity of every singular commission.
Every dimension is tuned to your space. I design for the way light hits your room and how your body moves around the object.
Each piece is signed and dated. These are not seasonal trends; they are future artifacts designed to be passed down through generations.
From the hearth
Notes from the people who live with these pieces every day.
The walnut dining table isn’t just furniture; it’s the anchor of our home. You can feel the intention in the joinery every time you touch the grain.
I spent months looking for a maker who respected the material enough to let it speak. Fallow delivered a desk that feels like it grew out of the floor.
Traditional dovetails and a finish that invites the hand. It is increasingly rare to find work this honest and uncompromising.
The cherry sideboard has aged beautifully over the last three years. The patina is developing exactly as promised. It’s a masterpiece of restraint.
Whether it’s a dining table or a singular chair, let’s build something that outlives us both. Currently accepting projects for late 2024.